
Writers
use superlatives to describe the talents of Tony award winner Ann Reinking: Time
Magazine, “Terpsiglorious;” Newsweek, “Her choreography
steals the show, refashioning the dance vocabulary into a unique string
of hormonal showstoppers;” The New York
Times, “Ms. Reinking
is responsible for the breeziest dancing Broadway has seen in years.”
One of seven children, Ann grew up in Seattle, Washington. She was in sixth
grade when she first saw a classmate dance. She started ballet lessons
and persuaded her parents to install a barre in her room so she could practice
at home.
The work paid off. As a teenager, she won a Ford Foundation scholarship
to study for three consecutive summers with the San Francisco School of
Ballet, as well as a scholarship to study with Robert Joffrey. Upon completing
high school, she moved to New York City where her first job was with the
Corps de Ballet at Radio City Music Hall.
Ann went on to Broadway, films and television, earning numerous accolades
for her work including Tony nominations for her leading performance in
Dancin’ and as best actress in Goodtime
Charley with Joel Grey. Her
astonishing number of awards includes the Theatre World Award for her work
as Maggie in Over Here and the Clarence Derwent Award. In 1997, Ms. Reinking
won the Tony Award, the Drama Desk Award, the Outer Critics Circle Award
and the Astaire Award for her choreography for ENCORES’ production
of Chicago. In 1999, Fosse, which Ann directed and co-choreographed, won
the Tony for best musical.
Her film debut was as Troubles Moran in Movie,
Movie, directed by Stanley
Donen. She then starred in All That Jazz, directed by Bob Fosse, in Annie,
directed by John Huston, and in Blake Edwards’ Micki
and Maude.

Ann is a natural teacher. She created The Broadway Theatre Project in Florida
some fifteen years ago. It is a musical theatre program that brings together
working professionals with gifted young people. “Musical theatre
is an American art form which must be kept alive,” says Reinking.
She has since resigned from that program, but continues to give master
classes all over the US.
Credits include TV commercials, original ballets: The
Harrison Tribute/American
Ballet Theatre; Ritmo Y Ruido and Slices/Ballet Hispanico; Legends/Joffrey
Ballet of Chicago; Suite Kander/Kansas City Ballet; Songs
Without Words/Jeanne
Ruddy Company. Co-choreographed: Caution:Side
Effects/Melissa Thodos Dancers.
Choreography: Here Lies Jenny with Bebe Neuwirth/Zipper Theatre; Bye
Bye Birdie with Jason Alexander/ABC-TV/
The Visit/Goodman Theatre; Chicago, currently in its 9th year on Broadway;
Look of Love/Roundabout Theatre. Directed, co-choreographed Fosse. Directed,
choreographed Tonight at 8:30/Williamstown Theatre Festival; No
Strings/Encores!City
Center.
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